Each year they added 350 feet and a decade of history seen from the viewpoint of California ethnic groups: Their contributions and their struggles to overcome obstacles.īy 1980 the mural, dubbed “The Great Wall” rather than its official name “The History of California,” stretched more than a third of a mile and had consumed some 600 gallons of paint and 65,000 kid‑hours.

Mural Makers worked in the wash again in the summers of 1978, 1980, 19. But Baca, executive director of the Social and Public Art Resource Center in Venice, California, with a history of large collaborative mural projects behind her, was not ready to stop at 1910. The Great Wall was already the longest mural after the summer of 1976 when a team of 80 youths referred by the criminal justice department, ten artists and five historians collaborated under the direction of Chicana artist Judith Francisco Baca to paint 1, 000 feet of California history from the days of dinosaurs to 1910 in the Tujungo Wash drainage canal in the San Fernando Valley. Throughout the years, assistance has come from the Summer Youth Employment Program, the Army Corps of Engineers, and the Flood Control District. In recent years, more private sector funding has made the Great Wall possible. In the first several years, SPARC received a great deal of support for the project from governmental juvenile justice funding sources. This support has taken the form of cash contributions, donations of supplies and equipment, and offered services. Production of the Great Wall has involved the support of many government agencies, community organizations, businesses, corporations, foundations, and individuals. Two years later the alchemy of converting concrete eyesore into community treasure began. Baca about the possibility of creating a mural in the flood control channel as part of a beautification project that included a mini‑park and bicycle path. In 1974, the Army Corps of Engineers contacted Judith F. < Go Back to the Main Page of The Great Wall

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